Global Voices

Artículos

• A Colombian view of Disney's ‘Encanto’

  
  29 de marzo, puesto en línea por Emma Dewick — Arts & Culture, Citizen Media, Colombia, Feature, Food, Latin America, Literature, Sport, The Bridge, Weblog
  The film portrays "the positive and beautiful version of the country that we Colombians have always wanted to have"

• Shanghai’s experiment on middle-way COVID-19 control model ends with citywide lockdown

  
  29 de marzo, puesto en línea por Oiwan Lam — China, East Asia, English, Feature, Governance, Health, Politics, Weblog
  Many believe that the decision for a large-scale lockdown signifies the failure of the Shanghai model, a middle path between the zero-COVID-19 and living with COVID-19 strategies.

• ‘Untimely’ death of soca singer Dexter ‘Blaxx’ Stewart leaves Trinidad & Tobago in mourning

  
  29 de marzo, puesto en línea por Janine Mendes-Franco — Arts & Culture, Breaking News, Caribbean, Citizen Media, COVID-19, English, Feature, Music, Trinidad & Tobago, Weblog
  Having struggled with health issues and paid his dues in the soca music arena — he was told he was “too black,” “too fat” and “not marketable” — Blaxx's authenticity shone through.

• There will be a world without Putin, but can we live in a world without Russia?

  
  28 de marzo, puesto en línea por Abel Polese — English, International Relations, Politics, RuNet Echo, Russia, The Bridge, Ukraine, War & Conflict, Weblog
  Cracking on Putin and his entourage seems the right thing to do now. But how can we keep a dialogue with his successor to avoid future wars?

• What does Russia’s history of urban warfare in Aleppo and Grozny mean for Ukraine?

  
  28 de marzo, puesto en línea por Roman Shemakov — Arabic, Eastern & Central Europe, Feature, International Relations, RuNet Echo, Russia, Russian, Syria, Ukraine, Ukrainian, War & Conflict, Weblog
  By weaponize refugees and using illegal munitions, Russia’s invasion of Ukraine will continue to exacerbate one of the worst humanitarian crises in Europe since World War II.

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